# 百佛来朝图卷

![image-209519](https://www.shuge.org/wp-content/uploads/2026/04/bai_fu_lai_zhao_tu_juan20.jpg)
![image-209518](https://www.shuge.org/wp-content/uploads/2026/04/bai_fu_lai_zhao_tu_juan19.jpg)
![image-209517](https://www.shuge.org/wp-content/uploads/2026/04/bai_fu_lai_zhao_tu_juan18.jpg)
![image-209516](https://www.shuge.org/wp-content/uploads/2026/04/bai_fu_lai_zhao_tu_juan17.jpg)
![image-209515](https://www.shuge.org/wp-content/uploads/2026/04/bai_fu_lai_zhao_tu_juan16.jpg)
![image-209514](https://www.shuge.org/wp-content/uploads/2026/04/bai_fu_lai_zhao_tu_juan15.jpg)
![image-209513](https://www.shuge.org/wp-content/uploads/2026/04/bai_fu_lai_zhao_tu_juan14.jpg)
![image-209512](https://www.shuge.org/wp-content/uploads/2026/04/bai_fu_lai_zhao_tu_juan13.jpg)
![image-209511](https://www.shuge.org/wp-content/uploads/2026/04/bai_fu_lai_zhao_tu_juan12.jpg)
![image-209510](https://www.shuge.org/wp-content/uploads/2026/04/bai_fu_lai_zhao_tu_juan11.jpg)
![image-209509](https://www.shuge.org/wp-content/uploads/2026/04/bai_fu_lai_zhao_tu_juan10.jpg)
![image-209508](https://www.shuge.org/wp-content/uploads/2026/04/bai_fu_lai_zhao_tu_juan09.jpg)
![image-209507](https://www.shuge.org/wp-content/uploads/2026/04/bai_fu_lai_zhao_tu_juan08.jpg)
![image-209506](https://www.shuge.org/wp-content/uploads/2026/04/bai_fu_lai_zhao_tu_juan07.jpg)
![image-209505](https://www.shuge.org/wp-content/uploads/2026/04/bai_fu_lai_zhao_tu_juan06.jpg)
![image-209504](https://www.shuge.org/wp-content/uploads/2026/04/bai_fu_lai_zhao_tu_juan05.jpg)
![image-209503](https://www.shuge.org/wp-content/uploads/2026/04/bai_fu_lai_zhao_tu_juan04.jpg)
![image-209502](https://www.shuge.org/wp-content/uploads/2026/04/bai_fu_lai_zhao_tu_juan03.jpg)
![image-209501](https://www.shuge.org/wp-content/uploads/2026/04/bai_fu_lai_zhao_tu_juan02.jpg)
![image-209500](https://www.shuge.org/wp-content/uploads/2026/04/bai_fu_lai_zhao_tu_juan01.jpg)

撰自 /类目 [元代](https://www.shuge.org/collection/yaun/), [绘画](https://www.shuge.org/collection/painting/), [艺术类](https://www.shuge.org/collection/art/) /2026年04月13日

此《百佛来朝图》卷旧传为北宋李公麟绘。画卷描绘（白描）了十六罗汉游憩于山林之中的场景，罗汉们姿态各异，神情生动，或坐或立，或论道或静修。罗汉左右有天王、侍者护法，并有龙、虎、猿、鹤、鹿等祥禽瑞兽相伴左右。此卷现藏于台北故宫博物院。

虽然画名中带有“百佛”，画卷并未描绘一百尊佛陀列坐的场景，而是将视线聚焦于十六罗汉、天王、狮、佛道侍者、供养人、佛、鬼怪等宗教形象，以及寒林枯树、松、竹、莲荷、灵芝、猿、鹿、虎、龙等自然物象，还有香炉、宗教器用等器物。这种将神圣的佛教人物置于世俗化、自然化的山林野趣中的处理方式，褪去了宗教的威严感，极具东方文人画的禅意特质。

李公麟被誉为“白描大师”。此卷在技法上延续了“李派”罗汉画的范式。画中的树木、山石和动物多采用“中锋”用笔，苍劲浑厚；而人物的衣纹则大量使用了“兰叶描”。相比于李公麟真迹的简练文雅，此卷的兰叶描法在粗细变化上更为明显和繁富，线条的起伏转折呈现出一种飘举潇洒、意态生动的风神。

此卷虽无款印，但其用笔苍劲潇洒，体现了李公麟最擅长的白描手法，或为托名或临仿李公麟的罗汉画作。
![百佛来朝图卷](https://www.shuge.org/wp-content/uploads/2026/04/bai_fu_lai_zhao_tu_juan21.jpg)
李公麟，字伯时，号龙眠居士，舒城（今属安徽省）人。北宋著名画家。神宗熙宁中进士，官至朝奉郎。好古博学，喜藏钟鼎古器及书画。擅画人物、佛道像，尤精鞍马，更以白描画法独步当世。

传为北宋时期绘本

旧传北宋 李公麟 绘

纸本墨笔，主画43.4x1161.6厘米

[台北故宫博物院](https://digitalarchive.npm.gov.tw/Collection/Detail/583?dep=P) 藏（故畫001416）

[CC BY 4.0](https://creativecommons.org/licenses/by/4.0/deed.zh)
\*本归档文件相对原始文件有适当修改

如果你发现此页介绍的不足之处并愿意帮助我们完善，您可以 [修订或反馈此页](/about/revise/?curl=bai_fu_lai_zhao_tu_juan&ctt=百佛来朝图卷) 内容

百佛来朝图卷.传宋.李公麟.绘.纸本墨笔（43.4x1161.6厘米）

书格文件\\PDF\\绘画设计类\\百佛来朝图卷

PDF、TIF 高清+
JPG 高清方便快速预览

下载链接：https://s.shuge.org/bflctj

**初步评估**

**读者评价**