# 长恨歌图卷

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撰自 /类目 [清代](https://www.shuge.org/collection/qing/), [绘画](https://www.shuge.org/collection/painting/), [艺术类](https://www.shuge.org/collection/art/) /2019年04月22日

《长恨歌》是唐代诗人白居易的一首长篇叙事诗。此故事长卷《长恨歌图》为日本江户时期狩野山雪绘。全套共分上下两卷，描绘了唐明皇与杨贵妃凄美的爱情故事。上卷描绘从汉皇重色思倾国到杨贵妃被赐死于马嵬坡。下卷主要描绘明皇对贵妃的无限思念。此两卷大约绘于1646年，现藏于爱尔兰切斯特·比替图书馆。

狩野山雪的〈长恨歌图〉卷大约在一九二六年进入Chester Beatty的收藏，一开始被当成了中国画卷。当狩野山雪的〈长恨歌图〉卷于1980年代被日本学界重新发现后，首开此卷研究的川口久雄梳理出图中各景所对应的〈长恨歌〉文本、对画面有细密的观察，并在山雪卷末的最后图绘表现有相当精采的诠释。他以图绘为引，解说补充〈长恨歌〉文意，中日文学典故的寻绎与文学上的引用比较是其重要的贡献。（介绍参考：林麗江教授《此恨綿綿無絕期——狩野山雪的〈長恨歌圖〉研究》）

《[长恨歌](https://baike.baidu.com/item/%E9%95%BF%E6%81%A8%E6%AD%8C/22524)》，是白居易最为人传颂的代表作。白居易把《长恨歌》归为“感伤类”的诗歌，一般认为是描写唐玄宗与杨贵妃的故事，是一个将历史典故融于感性艺术中，以富层次韵味的抒写笔法，所描绘出的凄美的爱情故事。由于白居易并未明确揭示全诗的主题，因此历代学者对《长恨歌》有许多不同的看法，直到现代仍被广泛研究探讨。《长恨歌》也对许多后代的文学作品产生深远的影响，包括《长恨歌传》、《唐明皇秋夜梧桐雨》、《长生殿》等，甚至影响了日本的文坛，如《源氏物语》、《枕草子》等。

**卷上**：从“汉皇重色思倾国”始，到杨贵妃被赐死于马嵬坡止。

**卷下**：从“君王掩面救不得”始，到最后的“天长地久有时尽，此恨绵绵无绝期”。

卷末题：**狩野氏累世山雪始圖之**
*应当是强调自己非摹自古代的版本，而是一种原创。*

![](https://www.shuge.org/wp-content/uploads/2019/10/chang_hen_ge_tu_juan35.jpg)
狩野山雪（1590-1651）日本江户时代早期狩野派画师。自号蛇足轩、桃源子、松柏山人。[狩野派](https://baike.baidu.com/item/%E7%8B%A9%E9%87%8E%E6%B4%BE)（かのうは）是日本著名的一个宗族画派，其画风是在室町时代中期（15世纪）～江户时代末期（19世纪）约400年间活动。 日本的主要画家都来自于这个宗族。 同时这个画派又主要是为将领和武士们服务的。

此两卷大约绘于1646年，绢本工笔重彩

绢本工笔重彩卷轴、洒金 **卷上**31.5 x 1048.4厘米
**卷下**31.5 x 1070厘米

卷末题：狩野氏累世山雪始圖之。下钤印：**蛇足軒**、**桃源子**、**山雪**

此两卷现藏于Chester Beatty Library（切斯特·比替图书馆）：[卷上](https://viewer.cbl.ie/viewer/object/J_1158_1/1/LOG_0000/)、[卷下](https://viewer.cbl.ie/viewer/object/J_1158_2/1/LOG_0000/)

[CC BY 4.0](https://creativecommons.org/licenses/by/4.0/deed.zh-hans)
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长恨歌图.上下卷.狩野山雪.绘.十七世纪

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