# 猎骑图卷 ![image-202208](https://www.shuge.org/wp-content/uploads/2026/01/lie_qi_tu_juan08.jpg) ![image-202207](https://www.shuge.org/wp-content/uploads/2026/01/lie_qi_tu_juan07.jpg) ![image-202206](https://www.shuge.org/wp-content/uploads/2026/01/lie_qi_tu_juan06.jpg) ![image-202205](https://www.shuge.org/wp-content/uploads/2026/01/lie_qi_tu_juan05.jpg) ![image-202204](https://www.shuge.org/wp-content/uploads/2026/01/lie_qi_tu_juan04.jpg) ![image-202203](https://www.shuge.org/wp-content/uploads/2026/01/lie_qi_tu_juan03.jpg) ![image-202202](https://www.shuge.org/wp-content/uploads/2026/01/lie_qi_tu_juan02.jpg) ![image-202201](https://www.shuge.org/wp-content/uploads/2026/01/lie_qi_tu_juan01.jpg) 撰自 /类目 [元代](https://www.shuge.org/collection/yaun/), [绘画](https://www.shuge.org/collection/painting/), [艺术类](https://www.shuge.org/collection/art/) /2026年01月06日 此《猎骑图》卷传为元人绘制。画卷描绘四组骑猎场景,人物着胡服软靴,马匹饰盛装鞍辔。首骑为秃顶长者执弯弓,策白马疾驰;次骑头戴皮帽,臂驭雄鹰,黑马肃立;三骑武士乘白色花斑马骤停远望,人马迎风而立;末骑武士下马校箭,棕马收蹄弓背,呈狩猎归息之态。此卷现藏于台北故宫博物院。 猎骑皆为少数民族形象,胡服软靴、盛装鞍辔相同,面貌神态各异。全图动静相生,设色和谐,生动传神。 ![元人猎骑图卷](https://www.shuge.org/wp-content/uploads/2026/01/lie_qi_tu_juan09.jpg) 我国北方草原自古为游牧民族活动之地。五代以后,契丹等族进入长城以内,与中原政权互动频繁,胡汉交流加深,其生活形象遂被绘入画中。自唐末起,“番族驰马打猎”成为独立而鲜明的绘画题材,在元代尤为兴盛。 传为元代绘本 元代 佚名 绘 绢本设色,主画29.8x283厘米 原博、舜□(半印) 三希堂精鑑璽、石渠定鑑、石渠寶笈、宜子孫、宣統御覽之寶、重華宮鑑藏寶、乾隆御覽之寶、乾隆鑑賞、嘉慶御覽之寶、寶笈重編 [台北故宫博物院](https://digitalarchive.npm.gov.tw/Collection/Detail/1444?dep=P) 藏(故畫001541) [CC BY 4.0](https://creativecommons.org/licenses/by/4.0/deed.zh) \*本归档文件相对原始文件有适当修改 如果你发现此页介绍的不足之处并愿意帮助我们完善,您可以 [修订或反馈此页](/about/revise/?curl=lie_qi_tu_juan&ctt=猎骑图卷) 内容 元人猎骑图卷.绢本设色(29.8x283厘米) 书格文件\\PDF\\绘画设计类\\元人猎骑图卷 PDF、JPG 高清 下载链接:https://s.shuge.org/yrlqtj **初步评估** **读者评价**